The Martini歌词

[00:01.04]The Martini
[00:03.23]In movie terms, directors use this phrase
[00:06.97]To describe the last shot of the day while on set
[00:11.41]The stories you are about to hear are true
[00:14.56]Names have been kept the same to reflect the Strange
[00:18.61]This is the Martini..
[00:21.46]This is Sam
[00:23.16]He was so in love with her
[00:24.06]But she was young and so that put her off in a jam
[00:26.41]Though she was sweet as a yam
[00:28.19]She wanted to explore other options with her man
[00:30.06]Straight sending Sam into a rampage
[00:32.52]And no matter what his fam says
[00:34.16]He's lost without this woman and don't wanna live any damn ways
[00:37.50]Now he's thinkin', if he ain't gon' live, she ain't gon' live
[00:40.24]And the other man's mercy, he ain't gon' give
[00:42.37]This what love do, it cops a .38 snub to
[00:45.14]Knock on your door, and take somebody that used to love you
[00:48.10]Rub you, the wrong way, then it's blood true
[00:50.71]Love through, she's slug one and he's slug two
[00:53.40]Then on a rainy evening, with a panicked feelin'
[00:56.08]Went to her home and looked in the window and Sammy sees them
[00:58.86]The door's between her and the Necromancer
[01:01.02]And what you think is gon' happen if she answers?
[01:03.24]Take a drink, it's more than what you think
[01:07.45]I gotta let you know, don't plan on letting you go
[01:12.96]But if you have to leave, that's where we'll end the scene
[01:18.24]This is the Martini, last shot's for you or me
[01:24.97]Yo, this is Isaiah
[01:26.74]I guess he was, I'd say a
[01:27.99]Ladies man, everyone used to call him the KCI Playa
[01:30.76]Flying multiple chicks in, give the stick then dismiss them
[01:34.16]But somethin's gonna happen that'll twist him
[01:36.21]He fell in love with a beautiful black woman
[01:38.52]But he ended up having a couple problems with that woman
[01:41.29]Talkin' to other men, did it behind his back on 'em
[01:43.72]Facebook, computer love, crept on the Mac on 'em
[01:46.42]Now he's salty, 'cause he found the woman he loves is faulty
[01:49.13]He told her at the very beginning, "Don't you ever cross me"
[01:51.90]Now that she did it, he plans to do something unlawfully
[01:54.36]Get a gun off the street, because he was treated so awfully
[01:57.11]One bullet for her, one bullet for him
[01:59.79]Crimes of passion, ain't no more pullin' for them
[02:02.32]And the worst way, we broke apart, it really hurts lady
[02:04.95]I've gotta go, but yo, you gotta go first baby
[02:07.47]Take a drink, it's more than what you think
[02:11.58]I gotta let you know, don't plan on letting you go
[02:16.93]But if you have to leave, that's where we'll end the scene
[02:22.32]This is the Martini, last shot's for you or me
[02:29.57]This is Brian
[02:30.86]He was a rebel and stayed on another level
[02:32.97]And had no intentions of dying
[02:34.82]He loved Kim a lot, above them was not
[02:37.42]But a jealous ex-husband would love them to rot
[02:40.15]I guess he loved Kim still
[02:42.21]His only thoughts him, them, kill
[02:44.66]'Cause he a coward mother****er
[02:46.89]On Christmas Eve he broke in and waited in they house for hours
[02:49.82]Crazy mother****er!
[02:51.01]Brian pulled up with Kim and little Alissa in the car
[02:53.41]Saw a shadow in the house from afar and said, "Wait"
[02:56.58]Got out the car, opened the gate
[02:58.16]Walked in the house and her ****ing ex sealed my nigga's fate
[03:01.54]That was my best friend, bitch-ass nigga
[03:03.34]Walked out the house and shot Kim right in front of Alissa
[03:06.08]Then he saved the last shot for him, blast!
[03:08.93]Now you better hope I don't go to hell, because I'ma be on your ass!
[03:11.41]Take a drink, it's more than what you think
[03:15.59]I gotta let you know, don't plan on letting you go
[03:20.92]But if you have to leave, that's where we'll end the scene
[03:26.30]This is the Martini, last shot's for you or me
[03:33.31]Executive producer: Travis O'Guin
[03:38.34]Associate producer: Dave Weiner and Ron Spaulding
[03:43.80]Project consultant, general management: Bob Grossi, Brian Shafton and Ben Grossi
[03:54.64]Production assistant: Cory Lloyd, Glenda Cowan, Don O'Guin, Cory Nielsen and Brian Fraser
[04:05.20]Project management and publicity coordinator: Korey Lloyd
[04:12.08]And publicity by: Richie Abbot and Megan McLean
[04:16.23]A&R: Travis O'Guin and Aaron D. Yates, Tech N9ne
[04:21.21]Legal: Bob Liberman, photography: RW2
[04:26.69]Art direction and design: Liquid 9
[04:32.12]Marketing and promotion: Britton Kimler and Chris Rooney
[04:37.34]Street marketing: Aaron Bean and Josh Rickards
[04:42.80]Internet marketing: Brad Morrow-ow-ow
[04:47.95]Creative consultant for Strange Music: My main man David Temple
[04:59.05]Album score by: Michael "Seven" Summers
[05:04.02]Recorded and mixed by: Robert Rebeck
[05:09.56]Mastered by: Tom Baker and additional vocals by me (Kali Baby)
[05:15.91]This is the end of K.O.D
[05:20.96]